gretchenjonesnyc:

Frankie Rayder by Steven Meisel for Vogue Italia January 1999
Me lo pido!

prettycolors:

#bf4059
redwoodcollective:

in (by nomoli)
greeneyes55:

Coney Island
Photo: Morris Engel 
suicidewatch:

Kim Gordon, 1990
lapetitecole:

Leigh Janet in Touch of Evil, dir. Orson Welles (1958)
vauxvintage:

illustrado 42 by selecciones
on-men:

Sandro Botticelli, Portrait of Dante Alighieri, 1495
prettycolors:

#d72848
tumblropenarts:

http://jeffkoegel.tumblr.com/

A sheet of blotter acid is the type of painting that gave inspiration for 247. Happiness and Poison. The blotter features a hundred evenly-spaced dots on a grid, a quarter inch in diameter, placed edge to edge on an letter-size sheet of paper. Each dot is comprised of a single drop of colored L-25 solution applied with a eyedropper. Most interesting to me is that the blotter is a painting to be eaten, dot by dot. And like any good painting, it imposes an effect on the engaged subject’s perception.
 

From Jeff Koegel: Slow Chemical Orchestra, currently at Merry Karnowsky Gallery Los Angeles, 247. Happiness and Poison 2012, Acrylic and Pumice on raw linen over wood panel, 40 x 34 in.